General
Elumelu Emerges First African to Win Dwight Eisenhower Award
By Dipo Olowookere
Group Chairman of United Bank for Africa Plc (UBA) and Founder, Tony Elumelu Foundation, has emerged winner of the prestigious Dwight D. Eisenhower Global Entrepreneurship Award.
With this, Mr Elumelu becomes first African to receive the coveted award.
The award was presented to the Nigerian business mogul by the Business council for International Understanding (BCIU), a non-profit US Business association dedicated to forging relationships and promoting dialogue between business and government communities across the globe.
The Dwight D. Eisenhower Global Entrepreneurship Award was given to both Mr Elumelu and Bill Marriott, Chairman, Marriott International Inc.
It was conferred on the Nigerian in recognition of his outstanding work in promoting entrepreneurship on the continent of Africa and across the globe.
Mr Elumelu, who himself is a serial entrepreneur, through his Tony Elumelu Foundation, has funded over 3,000 African entrepreneurs to date with his $100 million commitment to 10,000 entrepreneurs over a period of 10 years.
These entrepreneurs are expected to create a million new jobs and over $10 billion in revenue as a result of the initiative of Mr Elumelu’s Foundation.
At the award’s gala, former American President, Mr George W. Bush, acknowledged the efforts of the African entrepreneur saying, “I am impressed with Tony’s philanthropic initiatives which are powering job creation and entrepreneurship in a region (Africa) that is very dear to Laura and me.
“To receive an award founded by President Eisenhower has added meaning. Eisenhower provided example in leadership, which we can all learn from.
“Additionally, his belief in promoting international understanding is a vitally important responsibility.”
Speaking on the reason why Mr Elumelu was selected as the recipient of this prestigious award, Peter Tichansky, the CEO of BCIU said “Mr Elumelu’s bold approach and can-do mindset are exemplary characteristics of a visionary entrepreneur.
“He embodies the idea that companies must take the lead in bringing business and society together. His advocacy is proving that businesses, acting as businesses and not charitable donors, are the most powerful force for addressing social challenges and economic development.”
Indeed this is the philosophy of Mr Elumelu, founder of the concept of Africapitalism, which essentially states that Africa’s private sector must play a leading role in the development and growth of the continent as both governments and the private sector come together to make this happen.
Mr Elumelu, who was presented his award by Kip Forbes and Anne Eisenhower (the granddaughter of President Eisenhower), in his acceptance speech, stated that, “President Eisenhower was a man of many dimensions and most important is his leadership.
“Being recognized today as a recipient of the inaugural global entrepreneurship award is an honour that resonates with so many people in Africa. What our entrepreneurs in Africa need is powerful leadership to further energise, encourage and motivate them to transform the continent.’ He went on to say.
“I hope this will further spur on other Africans and friends of Africa, to make sure we work together for an inclusive prosperity.”
Mr Elumelu dedicated his award to his wife and children as well as the staff of UBA, Transcorp, Heirs Holdings, the Tony Elumelu Foundation and all the other companies within his group of companies. “He thanked BCIU on behalf of entrepreneurs in Africa saying, “On behalf of the over 3000 entrepreneurs who have benefitted from the Tony Elumelu Foundation Entrepreneurship programme, I say thank you very much.”
General
The Poster That Breathes: Designing Visuals That Feel Alive Even When Still
Have you ever noticed a poster that seemed to move, not actually, but emotionally? Perhaps its colors seemed to pulse or the composition changed with your eyes. That’s the magic of visual rhythm, when static design seems cinematic, living, and breathing.
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Directional flow: Diagonal or curved lines imply movement.
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Circular composition: Reeks of energy captured during spin.
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Gradient play: Gradual color transitions mimic emotional movement.
Emotional pacing: imparting stillness with a heartbeat
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Blending light and dark areas to replicate pulses of energy and serenity.
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Employing color temperature changes — to cool, warm — to convey mood shift.
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Creating layered depth, so that observers feel air and space even on a two-dimensional surface.
Creating a poster that feels cinematic
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Thoughtful framing — all that leads the viewer in one emotional direction.
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Atmospheric lighting — the shadows are as full of feeling as highlights.
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Anticipation — the feeling that the next frame is about to be cut in.
When silence speaks louder
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One feather drifting across black space can feel like time standing still.
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A whispery ripple over calm water evokes emotional tension.
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A texture dissolving into nothing feels like wind blowing through light.
Bringing identity to logos
Giving your poster life with Dreamina
Step 1: Write a text prompt
Step 2: Adjust parameters and generate
Step 3: Customize and download
Editing: the art of breathing room
The final exhale
General
FCCPC Seals Ikeja Electric Headquarters Over Alleged Consumer Rights Violation
By Adedapo Adesanya
The Federal Competition and Consumer Protection Commission (FCCPC) on Thursday sealed the premises of the Ikeja Electric Distribution Company (IKEDC) in the Alausa area of Lagos for alleged violation of consumer rights.
Leading FCCPC official to carry out to closure, the Director of Surveillance and Investigation, Mr Bola Adeyinka, said the move was in line with the Federal Competition and Consumer Protection Act (FCCPA) 2018 after repeated attempts to resolve the matter.
“Sealing this facility is a proportionate enforcement measure taken only after repeated engagement and several opportunities for voluntary compliance,” Mr Adeyinka said in a statement.
“The seal will remain in place until Ikeja Electric complies fully with the directives issued by both NERC and the FCCPC and provides written evidence of that compliance,” he added.
According to the FCCPC, the Nigerian Electricity Regulatory Commission (NERC) issued a binding decision directing Ikeja Electric to unbundle a Maximum Demand account into 20 non-Maximum Demand accounts, to recognise each of the 19 residential units and a service point owned by the complainant as separate customer units, and to provide the required metering and connection.
“Ikeja Electric did not carry out that decision,” the statement read in part. “Because of this failure, the complainant has been without electricity supply for more than two and a half years.
“This was despite paying all charges requested by Ikeja Electric and meeting every obligation. The lack of electricity has prevented the complainant from putting the 19 residential units to use.”
It said the move followed unsuccessful attempts to resolve the issues through warnings and dialogue.
FCCPC listed one of such attempts to include a directive to the company in April 2025 on the steps required and the timelines for compliance.
However, “No action was taken. On 2nd October 2025, the Commission issued a Compliance Notice requiring full compliance within seven business days.
“The company still did not comply,” the commission explained.
As of press time, Ikeja Electric, which supplies electricity to several areas in Lagos, has not yet commented on the matter.
General
What to do to Unlock Africa’s Access to Global Digital Assets—Mumuni
By Aduragbemi Omiyale
The Chief Digital Officer of MTN Nigeria, Ms A’isha Umar Mumuni, has said though Africa has immense cultural capital and talent, the lack of infrastructure, ownership, and platform control prevent creators from benefiting fully.
However, she highlighted some steps that can be taken by the governments, investors, and stakeholders to change the narrative.
Ms Mumuni, while speaking at the Nigerian Entertainment Conference (NECLive) 2025 in Lagos, themed, Powering Africa Through Creative Enterprise, “Africa has the cultural capital, the skills, and the talent. What we do not yet have is global access at scale, and that is the gap we must close. Africa’s talent cannot be ignored.
“Africa is a cultural paradise without global access or control. Africa needs global cultural influence, but we do not control global data, we do not own the platform, and we export to other countries without a consistent home platform. We explore creativity, but we import the system without profiting from it.”
The MTN executive explained that unlocking Africa’s access to global digital assets requires transforming local customs, people, and platforms to ensure creativity can flourish and generate sustainable revenue.
She noted that African content, whether in music, film, fashion, or digital media, must be positioned strategically to compete and succeed on the global stage.
Emphasising the need for Africa to invest in technology and digital skills to drive the creative economy, she said, “Africa has the youngest population on earth, which is a leverage. We must invest in AI, coding, digital skills, and content production. Creativity without a platform cannot sail.”
Ms Mumuni noted that broadband policies, digital copyright protections, and clear monetisation opportunities are critical for African creators to earn from their content and reach global audiences.
She warned Africans that without investment and strategic planning, African innovation risks remaining local, while foreign platforms reap the benefits, urging African creators to ensure their stories are shared globally while retaining cultural identity.
“The world expects good stories. Africa’s stories are rooted in culture, resilience, and spirituality.
“To unlock Africa’s access to global digital assets, we must transform investment, policy, and perception,” she said.
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